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Theses/Dissertations from 2016

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The Burning Question: Early U.S. Radiology and X-Ray Burns, 1896-1904, Benjamin James Ford

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"A Creature for Whom Art Can Do Nothing": Femininity, Performance, and Gender Subversion in The Wild Irish Girl and Mansfield Park, Megan Grandmont

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Facing Trauma Through Art: Arab Women's War Narratives, Danah Hashem

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Developing Assessment Methods to Benefit Middle School Art Students, Christine Melo

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"Object of Vision": Non-Consensual Photographic Representations of Sexual Assault, Anne Mooney

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Above Average in New York City, Laura Smith

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Auschwitz Has Formal Consequences: Imre Kertész and "The Rule of Metaphor", Jill Sullivan

Theses/Dissertations from 2015

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Traumatic Dualities: Religion and Recovery in African-American Women's Writing, Terenzi Althea

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On Time, History, And Metaphysics: The Thought of Cormac McCarthy and Walter Benjamin, Jonathan Bishop

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From Paradise to Plantation: Environmental Change in 17th Century Barbados, Ainsley Cray

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Types of Photographic Inquiry and Their Effects on the Collective Memory of Genocide, Aiello Samantha

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The Limits of Jawaharlal Nehru's Asian Internationalism and Sino-Indian Relations, 1949-1959, Rosie Tan Segil

Theses/Dissertations from 2014

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Adapting the Language of Postcolonial Subjectivity: Mimicry and the Subversive Art of Kent Monkman, Michael Bick

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Whales, Legs, Harpoons, and Other Things: Methodological Fetishism and the Human-Object Relationship in Moby-Dick, Catherine Button

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Picture This: Representation, Photographs, and the Contemporary American Memoir, Lyndsay Caron

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Is Storytelling Dead?: Finding Walter Benjamin's "Story" in the Modern Fantasy Genre, Jeanne Clifton

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The Female Experience of War in Tim O'Brien's "The Things They Carried", Katherine M. Dabrieo

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What She Left Behind and Other Stories, Kayleigh Merritt

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Terrorizing Islam: Building American Identity in the 9/11 Novel, Rob Sullivan

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The Exodus From Andover: Migration Case Studies, 1700-1750, Kimberly A. Whitworth